EVAL OKAS MUUSEUM, HAAPSALU, ESTONIE, du 14 aout 2011 au 31 aout 2011
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“Lanscape river silent“ Nicolas Schneider
2011, burned wood, glass, watercolours, 480 x 240 x 14 cm
Sculpture, drawing, structuring the exhibition space

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“arpentage“, (“surveying”) Antoine Lejolivet
2011, wood, fluorescent paint, aluminium, concrete, 104 x 69 x 140 cm
The surveying is the technique that mesure the surface of the lands, before an architecture is build

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view of the exhibition,
wall, “Kaltriver I “ (“cold river I ) Nicolas Schneider, 2011, watercolours and ink on paper, 200 x 110 cm
floor,“arpentage“, (“surveying”) Antoine Lejolivet, 2011, wood, fluorescent paint, aluminium, concrete, 104 x 69 x 140 cm
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“Kaltriver I “ (“cold river I ) Nicolas Schneider
2011, watercolours and ink on paper, 200 x 110 cm
The drawings were made near rivers, in small notebooks, firstly modified with the computer, and then put out of scale
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view of the exhibition,
wall, “Kaltriver I & II“ (“cold river I & II) Nicolas Schneider, 2011, watercolours and ink on paper, 200 x 110 cm
floor,“arpentage“, (“surveying”) Antoine Lejolivet, 2011, wood, fluorescent paint, aluminium, concrete, 104 x 69 x 140 cm
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view of the exhibition,
from left to right:
“solarium“ (“Sundial”), Antoine Lejolivet,2011,24 photographs, 82,5 x 182 cm
***, urban Xmas lights and electric cable (friendly loaned by the city of Happsalu)
“Ligne de partage“ (“water divide”) Nicolas Schneider, 2011, watercolours on paper, 220/110 cm
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“Ligne de partage“ (“water divide”) Nicolas Schneider
2011, watercolours on paper, 220/110 cm
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“arpentage“, (“surveying”) Antoine Lejolivet
2011, wood, fluorescent paint, aluminium, concrete, 104/69/140 cm
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view of the exhibition
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“solarium“ (“Sundial”), Antoine Lejolivet
2011, 24 photographs, 82,5 x 182 cm
A landscape, shot 24 times, continuously every hour between 00h00 AM until 23h00 PM, the word Solarium is also used fora Sundial
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view of the exhibition
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view of the exhibition,
front: “Exuvie“ (“Exuvia”), Antoine Lejolivet, wood and paint 72,5/15/12,5 cm
behind: “Lanscape river silent“ Nicolas Schneider
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“Exuvie“ (“Exuvia”), Antoine Lejolivet
2011, wood and paint 72,5/15/12,5 cm
Exuvia is the skin envelope that an animal leaves behind when he moults, the intention here is the archeology of architecture
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detail
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view of the exhibition
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“Album“ Nicolas Schneider
2011, ballpoint pen on paper, 12,5 x 18 cm
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“Trou de ver“ (“Wormhole”), Antoine Lejolivet
2011, vidéo, 4’50» in a continuous loop
Scientific hypothetical concept from a tunnel linking a black and a white hole, the intention here is to travel through spacetime
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Antoine Lejolivet
Nicolas Schneider

Article de presse

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